22/NSW

thenatsdorf:

“Mmmuah!” [note: turn on sound]

nemfrog:
““Common starfish, regenerating lost arms.” Two arms on top beginning to grow, one leg has regrown double. The study of animal life. 1917.
”

nemfrog:

“Common starfish, regenerating lost arms.” Two arms on top beginning to grow, one leg has regrown double. The study of animal life. 1917. 

popthirdworld:

“When I was 26, I went to Indonesia and the Philippines to do research for my first book, No Logo. I had a simple goal: to meet the workers making the clothes and electronics that my friends and I purchased. And I did. I spent evenings on concrete floors in squalid dorm rooms where teenage girls—sweet and giggly—spent their scarce nonworking hours. Eight or even 10 to a room. They told me stories about not being able to leave their machines to pee. About bosses who hit. About not having enough money to buy dried fish to go with their rice.

They knew they were being badly exploited—that the garments they were making were being sold for more than they would make in a month. One 17-year-old said to me: “We make computers, but we don’t know how to use them.”

So one thing I found slightly jarring was that some of these same workers wore clothing festooned with knockoff trademarks of the very multinationals that were responsible for these conditions: Disney characters or Nike check marks. At one point, I asked a local labor organizer about this. Wasn’t it strange—a contradiction?

It took a very long time for him to understand the question. When he finally did, he looked at me like I was nuts. You see, for him and his colleagues, individual consumption wasn’t considered to be in the realm of politics at all. Power rested not in what you did as one person, but what you did as many people, as one part of a large, organized, and focused movement. For him, this meant organizing workers to go on strike for better conditions, and eventually it meant winning the right to unionize. What you ate for lunch or happened to be wearing was of absolutely no concern whatsoever.

This was striking to me, because it was the mirror opposite of my culture back home in Canada. Where I came from, you expressed your political beliefs—firstly and very often lastly—through personal lifestyle choices. By loudly proclaiming your vegetarianism. By shopping fair trade and local and boycotting big, evil brands.

These very different understandings of social change came up again and again a couple of years later, once my book came out. I would give talks about the need for international protections for the right to unionize. About the need to change our global trading system so it didn’t encourage a race to the bottom. And yet at the end of those talks, the first question from the audience was: “What kind of sneakers are OK to buy?” “What brands are ethical?” “Where do you buy your clothes?” “What can I do, as an individual, to change the world?”

Fifteen years after I published No Logo, I still find myself facing very similar questions. These days, I give talks about how the same economic model that superpowered multinationals to seek out cheap labor in Indonesia and China also supercharged global greenhouse-gas emissions. And, invariably, the hand goes up: “Tell me what I can do as an individual.” Or maybe “as a business owner.”

The hard truth is that the answer to the question “What can I, as an individual, do to stop climate change?” is: nothing. You can’t do anything. In fact, the very idea that we—as atomized individuals, even lots of atomized individuals—could play a significant part in stabilizing the planet’s climate system, or changing the global economy, is objectively nuts. We can only meet this tremendous challenge together. As part of a massive and organized global movement.

The irony is that people with relatively little power tend to understand this far better than those with a great deal more power. The workers I met in Indonesia and the Philippines knew all too well that governments and corporations did not value their voice or even their lives as individuals. And because of this, they were driven to act not only together, but to act on a rather large political canvas. To try to change the policies in factories that employ thousands of workers, or in export zones that employ tens of thousands. Or the labor laws in an entire country of millions. Their sense of individual powerlessness pushed them to be politically ambitious, to demand structural changes.

In contrast, here in wealthy countries, we are told how powerful we are as individuals all the time. As consumers. Even individual activists. And the result is that, despite our power and privilege, we often end up acting on canvases that are unnecessarily small—the canvas of our own lifestyle, or maybe our neighborhood or town. Meanwhile, we abandon the structural changes—the policy and legal work— to others.”

- Naomi Klein

nemfrog:
“Friends. Indigenous rock art, South America. Source. 1927.
”

nemfrog:

Friends. Indigenous rock art, South America. Source. 1927. 

Neanderthals With Disabilities Survived Through Social Support

scinerds:

When the remains of this older Neanderthal were discovered at Shanidar Cave in Iraqi Kurdistan in 1957, his many physical injuries and disabilities were immediately apparent. Analysis of his skull showed that he suffered a crushing blow to the head near his eye socket when he was young, likely causing some visual impairment. His right hand and forearm were missing, the result of an amputation. He likely walked with a serious gait, and he suffered from hyperostotic disease (DISH), which is associated with muscular pain and reduced mobility along the spine.

But a new analysis of this specimen, known as Shanidar 1, shows he had another major disability—one not noticed during earlier examinations. New research published in PLOS One reveals that the bony growths found in this Neanderthal’s ear canals would have resulted in serious hearing loss. So this Paleolithic-era hunter-gatherer, according to the updated analysis conducted by anthropologists Erik Trinkaus from Washington University in St. Louis and Sébastien Villotte of the French National Centre for Scientific Research, was profoundly deaf.

Yet despite his deafness and his other physical setbacks, Shanidar 1 died between 40 and 50 years of age (based on dental analysis). By Paleolithic standards, he was an old man. The only way he could have lived to such a ripe old age is by receiving considerable help from others. “More than his loss of a forearm, bad limp and other injuries, his deafness would have made him easy prey for the ubiquitous carnivores in his environment and dependent on other members of his social group for survival,” said Trinkaus in a statement.

Trinkaus and Villotte says it’s not surprising that his fellow Neanderthals were able and willing to provide this level of social support. Profoundly, these extinct humans buried their dead, a funeral act that anthropologists say is indicative of social cohesion, social roles, and mutual support. What’s more, Neanderthals used pigments and feathers to modify their appearance, which the authors say is “a reflection of social identity manipulation and social cohesion.” To say Neanderthals cared for the physically impaired is therefore not a stretch.

fuckyeahmilesmcmillan:
““@milesmcmillan: My alchemy bath
” ”

Sublime picture; a small jungle of port jackson figs (speckled with unripe fruit). Orchids rest beneath its’ canopy (dappled shade - remember love?).

Companionship sits here on this outcrop too (from my view). The granite has fissured, a crevice forms and its’ minerals weather away in heavy rainfall (somehow even rock decomposes).

I share this outcrop with the forests’ resident goats (there’s shit everywhere and the pyrrosia tries eagerly to veil it). The crevice cradles a goats’ skeleton and funnels nutrient rich decay into the soil (microbiome ceremonial).
thunderstruck9:
“Attributed to Friedrich Gauermann (Austrian, 1807-1862), Study of a Tree. Oil on paper, 34.5 x 28 cm.
”

thunderstruck9:

Attributed to Friedrich Gauermann (Austrian, 1807-1862), Study of a Tree. Oil on paper, 34.5 x 28 cm.

Spear, Stephen Page/Bangarra Dancers

Spear, Stephen Page/Bangarra Dancers

spacelandings:
“Ana Mendieta, Imagen de Yagul, from the series Silueta Works in Mexico 1973-1977, 1973 via SF MoMA
”

spacelandings:

Ana Mendieta, Imagen de Yagul, from the series Silueta Works in Mexico 1973-1977, 1973 via SF MoMA

wearesodroee:

È Sempre Oggi
Publication: Vogue Italia October 2017
Model: Lauren Hutton
Photographer: Steven Klein
Fashion Editor: Patti Wilson
Hair: Ward Stegerhoek
Make Up: Kabuki 

PART II

femmequeens:
“Gin Clarke as Adi Gallia in “Star Wars: Episode I – The Phantom Menace” (1997)
”

femmequeens:

Gin Clarke as Adi Gallia in “Star Wars: Episode I – The Phantom Menace” (1997)

aug2010aug2017:
“(via asya-4-ever)
”
#:(